Image: Sofia Pomeroy
Isadora is a French-Tunisian-British artist and researcher working across movement, performance and installation
She explores singular presence and the multiplicity of identities, engaging fluidity and openness as ways of inhabiting the world. Her research is now engaging with ecological transformations, sensing and engaging both human and more-than-human experiences. She also investigates costume and objects as extensions of the self, approaching them as spaces of metamorphosis.
Her current research, Huella, is a non-linear, post-natural artistic inquiry exploring the memories of water and the new geologies emerging between bodies and landscapes. Conceived as an evolving transdisciplinary dispositif, it unfolds through installation, movement, sound and text, as well as collaborations with other artists.
She is also a Vogue performer and member of the Iconic House of Milan (as Isadora Milan), walking balls internationally in the New Way Vogue and Arms Control categories, and developed through community practice and transmission.
Her movement language draws from club culture forms (Arms Control and New Way Vogue), alongside somatics-based improvisation and flamenco aesthetics. She also develops her practice through live art collaborating with visual artists.
EntreCuerpos (2025), her previous work, is a series of living tales moving through sacred, radical and ever-transforming feminine identities. Within this journey, the imaginary of Vogue intertwines with flamenco poetry. EntreCuerpos has been supported by The Place (Resolution), English National Ballet (Shared Ground Space Scheme), Chisenhale Dance Space and Instituto Cervantes.
With a background in ballet, jazz and hip-hop, and her ongoing Vogue, flamenco and somatics-based practice, she also holds a Master’s degree in Management of Cultural Organisations from Paris-Dauphine University, and develops her research as Postgraduate in Trinity Laban Conservatory of Music and Dance..